I've decided what my art wall needs is a portrait. I read a quote from (I believe) Jonathan Adler, that suggested that every good interior "has a face in it." As one-sentence decorating advice goes, it's surprisingly helpful. The more I look around, the more I confirm it. So here's an art wall of just faces.
Although my art wall — I mean, art hallway — is beginning to get this crowded, it doesn't really look this good. Is the problem the quality of the art? The diversity? The wall color? I definitely like the variety of the frames. I need to work on that.
Living in a small apartment, I tend to think art is that one thing I can buy with abandon — after all, it's flat! But I find myself now reaching the point where I seem to have more art than wall space. I've concentrated my small pieces onto an art wall, and I wonder now if it's getting too crowded and hectic. But then I look at a picture like this... Admittedly the art here is of greater value than mine, but it still looks quite lovely, and most importantly, personal, which is what one should want from her art collection, I think. Also of note, the elegance and sparkle of the old gilt frames.
Another image from the same home. Man, I love the frame job on both these pictures.
And yet another. No framed art, but I adore the look of that built-in bookcase with the natural wood. Homey and high-end, elegant and cozy. Very good.
And here's another approach to the art wall — all of the pictures are painted landscapes (with no mats). Not really an option for me, although I'm looking forward to welcoming a pretty little seascape. The painted wall also ties everything together.
Of course, an art wall will immediately look better if you position a cute dog into it.
Art wall week continues here at Roseland Greene. (Or maybe every week is art wall week around here.)
Feels like a while since I've posted an art wall. This one is quite expansive and looks great (although the super-high ceilings help). I also like what looks like an extra-long red lacquer sideboard (I'm a sucker for red lacquer). On the other hand, I've never warmed up to Panton chairs; they just look so plastic. 
Wow, even an obsessive minimalist like Anouska Hempel will do an art wall! But only in black, white and beige.
Here, for comparison purposes, is my art wall. This will be the "before" picture, since I'm determined to make it better!
All the Best has a very sensible guide to arranging an art wall. It really makes a lot of sense, and maybe there's hope for mine yet!
I need to tackle the intimidating task of rearranging my art wall. The good ones always look really spontaneous, but in my experience, it takes a lot of maneuvering to get everything balanced just right.
I think I've seen this image quite a few times now, but I came across it again recently and have to post it. As an art wall, it's notable for the very tight spacing of the pictures. I also just love those darn French cafe chairs.
There's a lot I like about this kitchen, but I'm especially noticing the art wall (surprise, surprise). There's a combo of art that's hung, and art that's leaning on a shelf. Great look!
I received a request this week to say a little more about the "commercial" aspects of my May trip to Istanbul (see previous posts here and here), and I always meant to do so, I'm just a little late! I stayed in two different hotels, in two very different neighborhood, and at different price ranges. First I stayed at the Hotel Nomade in Sultanahmet. And this was my view at breakfast every morning (OK, I took these photos at dusk, but you get the idea). From the rooftop terrace I had a beautiful view of the Blue Mosque, Aya Sofya and the Sea of Marmara beyond. I think just about every little hotel in Sultanahmet boasts a similar rooftop terrace and that was a major reason I wanted to stay in the area. I can't tell you what pleasure it was to sit down to breakfast every morning and drink it all in (the breakfast itself was pretty great too!).
While the common areas of the hotel were very nice (they have redecorated since the web site's photos were taken), the little room I stayed in felt very much like a budget hotel room (which in fact it was). But the staff was helpful and all the major sites were just steps away (as were all the tourists and all the touts — the drawbacks of this neighborhood).
After five days at the Hotel Nomade, I crossed the Golden Horn and moved into the House Hotel Galatasaray. This neighborhood had a completely different feel — all galleries, antique shops and stylish little cafes. Very few tourists. The hotel was housed in a gorgeous old building that had been lovingly restored. Given that some of the area's noble structures were literally falling down, it was nice to see something preserved.
But the real draw for me was that the hotel was designed by Autoban, the genius design team behind this apartment and some amazing, expensive furniture (some of which is available stateside at De La Espada). Seyhan Özdemir and Sefer Cağlar are major players in the city's design scene and have designed a whole series of cafes (I ate at the one in Ortaköy) and hotels around the city. Needless to say, this place cost double the Hotel Nomade. (This picture is of the entryway. The chandelier is an Autoban design. I had two of them in my room!)
All of the rooms in the hotels are "suites" with an inner and outer room. I was just in a "junior suite," so both my rooms were pretty narrow, but I must confess, I thought the division of the space added some intrigue and glamour. As you can see, all the furnishings are super neutral, and the color palette is strictly limited. This is not a look that I would want in my home, but I def appreciate it in a hotel. It's a stylish cocoon.
There was also a shower in the bedroom. I don't really understand why having baths and showers outside of the bathroom is considered a luxury, but that's clearly the way of the world now, so I guess I have to roll with it. 
And once again, there was a great view at breakfast (that's Galata tower in the distance). BUT, some caveats, considering the price of the hotel... First, the windows in my room looked out on a brick wall. I figure only two rooms in the hotel are so situated, so it's possible to avoid this when you book. Second, there was an outdoor cafe abutting the back of the hotel that was quite loud at night (the Hotel Nomade also overlooked an outdoor cafe and was equally loud). And lastly, there is no elevator in the hotel and the breakfast room is on the top floor. But I'm not too fazed by view-less rooms, noise or steps, so none of these things was a dealbreaker for me.
A brief word about a hotel I didn't stay in: the Splendid Palas in Büyükada (a view from the front porch in this post). The exterior is postcard perfect and the interior has this bygone charm that's been atmospherically preserved. Hercule Poirot would have stayed here. After I poked my head in, I told my friends, "next time I come to Istanbul, I'm staying here!" Büyükada would be a great place for an overnight escape from the city.
The reception desk.
Wrapping this up! Shopping! Go to Istanbul Modern! It's a great museum with a great gift shop, full of local products and interesting posters.
Before I left for the trip I toyed with the idea of buying a carpet or suzani, but ultimately I bought what I usually do when I travel: art! It's lightweight and flat! And I bought a piece at the Grand Bazaar. That turned out to be a much more low-key affair than the guidebook had warned about, but I think it's the carpet sellers who are really aggressive.
I'm very happy with my drawing (seen here in the gold frame on my art wall). I can walk by it everyday and remember a wonderful trip.
Silly decorating problems.
from T Magazine
One thing about having white walls is that there's nothing to compete with your art. Lots and lots of art, in this woman's case. A look that combines a sophisticated art wall with a spontaneous inspiration board. Probably "too much," and yet the neutral walls and furnishings make it work somehow.
Another space in the same home. More scaled down and sophisticated.
I'm loving the laid-back chic of this apartment. I suppose I just can't resist the charm of low riding bookcases (in red!) with an art wall above them.
I also like this chunky lacquer coffee table. Yay color! But note the herringbone floors. Once again, can't resist...
And in the kitchen, what do you know? It's one black wall. This place is hitting lots of marks.
So, on my epic trip to Buenos Aires, I bought some original artwork (unframed) in a gallery. It's a pencil drawing and a portrait, but upon getting it home, it looks very pale to me. In the gallery, the artist's works were all set in white mats in white frames. They looked airy and beautiful. However, I've pretty much made a commitment to black and dark wood frames in my home (an outdated photo of my art wall here). So should I go with a wood frame and a brown/beige/taupe mat? A black frame with a white mat and a black bevel? A black mat? Decisions, decisions. It's a quality piece and I want to frame it right. Any thoughts?
